Khyadag and Zunii Gol: Animal Art and the Bronze to Iron Age Transition in Northern Mongolia

Abstract

The Late Bronze Age Mongolian culture known for its memorial deer stones and khirigsuur burials, the Deer Stone-Khirigsuur complex (hereafter DSK) dating to 1300–700 BCE, displays persistence over several hundred years. Radiocarbon dates from hearths and horse remains associated with these sites show little change in architecture, ritual practice, and iconography, giving the impression of an unchanging mortuary cultural regime. New research demonstrates that deer stones are memorials to recently deceased leaders that display distinctive features of personal identification within the unifying framework of an over-arching religious theme represented by deer-bird iconography. Despite continuity, the DSK complex is not monolithic. This paper presents evidence for regional cultural and chronological variation in deer stone art and ceremonial activity based on research at the Khyadag and Zunii Gol sites in northcentral Mongolia. Areal excavation, detailed survey, and recording of deer stone art revealed the presence at Khyadag of a new class of miniature deer stones and evidence of copper smelting, and at Zunii Gol — an unusual khirigsuur associated with a deer stone carrying elements of Scytho-Saka animal style art. These data indicate geographic and chronological overlap in V. V. Volkov’s deer stone types and changes in deer stone art and khirigsuur ritual in the later period of the DSK complex. In the future, emphasis needs to be given to broad excavation strategies that explore the contextual history of individual DSK sites, dating of Volkov’s Type II and III deer stones, and regional comparisons with Xinjiang, Baikal, and the Mongolian and Gornyi Altai.