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dc.contributor.authorMokrushina, Zoya V.-
dc.date.accessioned2016-08-11T09:29:22Z-
dc.date.available2016-08-11T09:29:22Z-
dc.date.issued2016-06-
dc.identifier.citationMokrushina Z. V. «The piano and drums»: Nigerian writers about neo-colonialism. Vestnik of Saint-Petersburg University. Series 13. Asian Studies. African Studies, 2016, issue 2, pp. 30–40. DOI: 10.21638/11701/spbu13.2016.204en_GB
dc.identifier.urihttp://hdl.handle.net/11701/2566-
dc.description.abstractThe article presents the views of Nigerian writers and publicists on the problem of neo-colonialism as a factor of socio-economic, cultural, political and environmental disaster in Nigeria (and Africa) during the second half of 20 — beginning of 21 century. The features coverage of the topic in the context of changing priorities and initial settings of three generations of writers and publicists, whose careers began in the 1950s, 1970s and 1990s. Examines the concept of “synthesis”, “dialogue” “multiculturalism” and “universal civilization”, “self-presentation”, “anti-racism”, which has become to Nigerians the basis of their identity and historical intercultural and inter-civilizational dialogue involving Africa. Refs 41.en_GB
dc.language.isoruen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesVestnik of St Petersburg University. Series 13. Asian Studies. African Studies;Issue 2-
dc.subjectNigeriaen_GB
dc.subjectcolonialismen_GB
dc.subjectneo-colonialismen_GB
dc.subjectpublicismen_GB
dc.subjectfictionen_GB
dc.subjectracismen_GB
dc.subjectantiracismen_GB
dc.title«The piano and drums»: Nigerian writers about neo-colonialismen_GB
dc.typeArticleen_GB
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