Research RepositorySaint Petersburg State University
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PRO-CREATIVE FUNCTION OF PRODUCTIVE IMAGINATION IN KANT’S FIRST CRITIQUE DISCUSSION REMARK ON THE BOOK OF SAULIUS GENIUSAS “PHENOMENOLOGY OF PRODUCTIVE IMAGINATION: EMBODIMENT, LANGUAGE, SUBJECTIVITY” Ibidem-Verlag, Stuttgart, 2021. ISBN-13: 978-3-8382-1552-5
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SCHELLINGIAN MOTIVES IN M. RICHIR’S PHENOMENOLOGY: PHENOMENOLOGICAL UNCONSCIOUSNESS AND TRANSCENDENTAL HYPNOSE
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THE PHENOMENOLOGICAL OUTLOOK ON CRITIQUE OF IDEOLOGY
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A PHENOMENOLOGICAL AND A POSTSTRUCTURALIST READING OF BEING AND TIME (SECTIONS 54–60)
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“LA DIFFERANCE” AND “RIEN ENROULE”: YOUNG MARC RICHIR READS DERRIDA
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SECRET OF “ALWAYS ALREADY” (OF THE LOST TRACE OF PHENOMENOLOGY) IN DECONSTRUCTION OF DERRIDA
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WRITING AS A MODEL OF CULTURAL SEDIMENTATION AND MEMORY: FERRARIS, DERRIDA AND HUSSERL
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HUSSERL AND DERRIDA ON THE PROCESS OF SENSE FORMATION—GAPS AND EXCESSES
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DERRIDA’S OTHER TRANSCENDENTAL AESTHETIC
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PHÉNOMÉNOLOGIE OU STRUCTURALISME. FOUCAULT, DERRIDA ET LA SYNTHÈSE PASSIVE
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FROM STRUCTURE TO STYLE. MERLEAU-PONTY
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GEORGY CHERNAVIN. PHILOSOPHY OF THE TROLL. THE PHENOMENON OF PAID BOTS. Moscow: RIPOL klassik, 2021. ISBN 978-5-386-13894-3
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ANASTASIYA MEDOVA. PHENOMENOLOGY OF MUSICAL EXPERIENCE. Krasnoyarsk, Reshetnev Siberian State University of Science & Technology; Krasnoyarsk State Pedagogical University named after V. P. Astafiev, 2021. ISBN 978-5-86433-873-5 ISBN 978-5-00102-500-9
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NOTE ON HEGEL AND HEIDEGGER
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THE PREFACE TO THE TRANSLATION OF AL. KOJÈVE’S ARTICLE “NOTE ON HEGEL AND HEIDEGGER” KOJÈVE’S NOTE IN-AND-FOR-ITSELF
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