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dc.contributor.authorZenkevich, Nikolai A.-
dc.contributor.authorGladkova, Margarita-
dc.date.accessioned2017-11-13T09:54:49Z-
dc.date.available2017-11-13T09:54:49Z-
dc.date.issued2016-
dc.identifier.urihttp://hdl.handle.net/11701/8713-
dc.description.abstractMoviemaking process is complicated and includes many participants. In most emerging economies it is regularly financially supported by state agencies and doesn't bring sufficient return on investments, while in countries where this market is developed, the agreements among main participants are in a form of participation contracts, meaning that everybody's income is dependent on the final revenues, generated by the movie. However, existing contracts allows different parties to behave opportunistically. This paper answers the question on how to incentivize the participants to act fairly and consequently to minimize the losses of the weakest players of the chain. The main idea is that opportunistic behavior can be eliminated with the introduction of coordination contracts.en_GB
dc.language.isoenen_GB
dc.publisherSt. Petersburg University Graduate School of Managementen_GB
dc.relation.ispartofseriesGSOM Emerging Markets Conference 2016;pp. 443-446-
dc.subjectmotion pictureen_GB
dc.subjectfilm industryen_GB
dc.subjectrevenue sharingen_GB
dc.subjectcooperative gameen_GB
dc.subjectimputationen_GB
dc.subjectoptimal imputationen_GB
dc.subjectcontractsen_GB
dc.titleCoordination Contracts as Value Chain Creation Mechanism: The Case of Movie Industryen_GB
dc.typeOtheren_GB
Располагается в коллекциях:Conference Papers & Presentations

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