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dc.contributor.authorMikhaylova, Alena A.-
dc.date.accessioned2017-08-21T10:48:24Z-
dc.date.available2017-08-21T10:48:24Z-
dc.date.issued2016-12-
dc.identifier.other10.21638/11701/spbu19.2016.204-
dc.identifier.urihttp://hdl.handle.net/11701/7106-
dc.description.abstractThe article makes a combining analysis of two types of sources which reflect the Serbian traditional culture and history. The first is represented by ethnographic narrative observations of the second part of the 19th – early 20th century and another one by museum artefacts of the same period. This approach demonstrates the existence of a close connection between the ornamental embroidery, as a product of preindustrial era home needlework, with magic belief system which prevailed in that period, in particularly with belief in the evil eye. Placing the museum artifacts in the cultural-anthropological context provides a deeper understanding of the nature of their origin, which in turn contributes to the articulation of their value as an ethnomuseological heritage.en_GB
dc.language.isoruen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesStudia Slavica et Balcanica Petropolitana;Issue 2-
dc.subjectMikhaylovaprotective amuleten_GB
dc.subjectthe evil eyeen_GB
dc.subjectembroideryen_GB
dc.subjectSerbiaen_GB
dc.subjecttraditional cultureen_GB
dc.titleThe phenomenon of the evil eye and apotropaic motives in Serbian traditional embroidery: looking for relevant approach to the study of ethnomuseological heritageen_GB
dc.typeArticleen_GB
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