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dc.contributor.authorZapadalova, Polina V.-
dc.date.accessioned2017-07-18T15:40:20Z-
dc.date.available2017-07-18T15:40:20Z-
dc.date.issued2017-06-
dc.identifier.citationZapadalova P. V. “Holy Trinity and Genesis Scenes”. Icon from the Troitse-Gledensky Мonastery. Vestnik SPbSU. Arts, 2017, vol. 7, issue 2, pp. 168–202.en_GB
dc.identifier.other10.21638/11701/spbu15.2017.204-
dc.identifier.urihttp://hdl.handle.net/11701/6925-
dc.description.abstractThe article concerns some stylistic features of the 17th сentury icon of the “Holy Trinity” from the Troitse-Gledensky monastery near Veliky Ustyug. The author examines other meanings devoted to this image and also tells about some new early documentation which containing information about it. They prove, that it was in the past an extremely important icon of the Trinity cathedral. Investigating its style, the author identifies the closest stylistic analogies as the icons created by the famous Russian painter Fiodor Zubov from the late 1750s to the early 1760s. New iconographic sources of the icon are named for the first time. The early work of Fiodor Zubov and “Holy Trinity” are considered as belonging to the official “luxurious” style of Russian painting. Refs. 55. Figs 29.en_GB
dc.language.isoruen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesVestnik of St Petersburg University. Arts;Volume 7; Issue 2-
dc.subjectIconen_GB
dc.subjectHoly Trinityen_GB
dc.subjectGenesis Scenesen_GB
dc.subjectFeodor Zuboven_GB
dc.subjectSt. Elias Church in Yaroslavlen_GB
dc.subject“luxurious” styleen_GB
dc.subjectTroitse-Gledensky monasteryen_GB
dc.subjectmiddle of the 17th сenturyen_GB
dc.subjectVeliky Ustyugen_GB
dc.title“Holy Trinity and Genesis Scenes”. Icon from the Troitse-Gledensky Мonasteryen_GB
dc.typeArticleen_GB
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