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dc.contributor.authorSemenova, Anna S.-
dc.date.accessioned2017-07-04T16:02:14Z-
dc.date.available2017-07-04T16:02:14Z-
dc.date.issued2017-03-
dc.identifier.citationSemenova A. S. Ethnographic works of Kawahara Keiga: agriculture, fishing and hunting. Vestnik SPbSU. Asian and African Studies, 2017, vol. 9, issue 1, pp. 96–105.en_GB
dc.identifier.other10.21638/11701/spbu13.2017.108-
dc.identifier.urihttp://hdl.handle.net/11701/6666-
dc.description.abstractThis article is devoted to research of some ethnographical pictures of the Japanese artist Kawahara Keiga. Keiga was an artist of the Nagasaki art school. He learned European art technique and his works combine features of Japanese and European art traditions and great attention to detail. That’s why they have great importance as a source of 19th century Japanese ethnography. During the isolation of Japan from the outworld the only place, where Europeans were allowed to stay, was the tiny island of Dezima in Nagasaki. With the help of Kawahara Keiga Europeans could get the information about the life and culture of Japanese. In this article the author examines the ethnographic works of Kawahara Keiga devoted to Japanese agriculture, fishing and hunting. Detailed ethnographical descriptions are given to each scene. Refs 16.en_GB
dc.language.isoruen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesVestnik of St Petersburg University. Asian and African Studies;Volume 9; Issue 1-
dc.subjectJapanese arten_GB
dc.subjectJapanese paintingen_GB
dc.subjectKawahara Keigaen_GB
dc.subjectJapanese ethnographyen_GB
dc.subjectethnographical picturesen_GB
dc.subjectJapanese agricultureen_GB
dc.subjectJapanese fishingen_GB
dc.subjectJapanese hunten_GB
dc.subjectfalconryen_GB
dc.titleEthnographic works of Kawahara Keiga: agriculture, fishing and huntingen_GB
dc.typeArticleen_GB
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