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dc.contributor.authorNosova, Ekaterina I.-
dc.contributor.authorOmeltchenko, Daria M.-
dc.date.accessioned2024-02-02T12:40:26Z-
dc.date.available2024-02-02T12:40:26Z-
dc.date.issued2023-09-
dc.identifier.citationNosova E. I., Omeltchenko D. M. Pigment Composition in the Privilegio Rodado of Juan the Second. Vestnik of Saint Petersburg University. History, 2023, vol. 68, issue 3, рp. 699–711. https://doi.org/10.21638/spbu02.2023.309en_GB
dc.identifier.otherhttps://doi.org/10.21638/spbu02.2023.309-
dc.identifier.urihttp://hdl.handle.net/11701/44766-
dc.description.abstractThe article examines the pigments used in the design of the privilege of King Juan II of Castile and Leon to his favorite Alvaro de Luna for a third part of the city of Arevalo. The charter comes from the collection of Academician Nikolai Petrovich Likhachev (1862–1936), held in the St. Petersburg Institute of History of the Russian Academy of Sciences. The document belongs to the most solemn type in the Royal Chancellery of Castile; its formula was extremely stable, while its exterior design was dynamic. The design consists of three parts: the initial, the rueda, and the border. The study of pigments was carried out by optical microscopy, multispectral imaging and X-ray fluorescence analysis. It was found that, contrary to the prevailing opinion in the literature, the pigments were placed on the parchment without any ground or pre-drawing. The analysis also revealed that both mineral and organic pigments were used. Different pigments were used in different elements of the decoration of the charter. The rueda and initial formed one group, the border — the other. In the first group, red was obtained with the use of pure cinnabar or a mixture of it and red lead. Blue and pink were formed by organic dyes in combination with lead white. The traditional Western European azurite and lapis lazuli were not used. Green was most likely a mixture of orpiment and indigo. This combination was not typical of Western European illuminations of the Late Middle Ages. Copper pigments were more common during this period. Black pigment is represented by soot, white by white lead. Green, on the other hand, is represented by copper pigments in the border, while blue and pink contain no lead. The difference in pigments set may indicate two different stages of the creation of the charter, different in time and place. A study also confirmed the use of natural gold, which is consistent with the high status of the recipient of the privilege, Alvaro de Luna, who played an important role in the Castilian court.en_GB
dc.language.isoenen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesVestnik of St Petersburg University. History;Volume 68; Issue 3-
dc.subjectJuan IIen_GB
dc.subjectKing of Castile and Leonen_GB
dc.subjectdiplomaticsen_GB
dc.subjectpigmentsen_GB
dc.subjectXRFen_GB
dc.subjectoptical microscopyen_GB
dc.subjectmultispectral imagingen_GB
dc.subjectprivilegeen_GB
dc.subjectAlvaro de Lunaen_GB
dc.titlePigment Composition in the Privilegio Rodado of Juan the Seconden_GB
dc.typeArticleen_GB
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