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dc.contributor.authorDong, Xiao-
dc.date.accessioned2022-03-15T11:35:29Z-
dc.date.available2022-03-15T11:35:29Z-
dc.date.issued2021-12-
dc.identifier.otherhttps://doi.org/10.21638/11701/9785288062049.26-
dc.identifier.urihttp://hdl.handle.net/11701/35718-
dc.description.abstractRussian and Soviet literature had a special experience in China during the “Cultural Revolution”. It was fiercely criticized by the Chinese critical circle at that time, and this criticism embodies the unique characteristics of “skewness and rightness”. At the same time, although there is a sharp contrast between the fierce criticism of Russian and Soviet literature during the “Cultural Revolution” period and the worship of it during the “seventeen years”, the criticism still reveals a similar literary concept with the “seventeen years” behind it, and also has some secret connection with the mainstream literature of the Soviet Union. This criticism of Russian Soviet literature during the “Cultural Revolution” was inevitably related to the cold reception of Russian Soviet literature in contemporary China.en_GB
dc.language.isoruen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesProceedings of the 9th International Conference "Issues of Far Eastern Literatures (IFEL 2021)";Volume 1-
dc.subjectRussian and Soviet literatureen_GB
dc.subjectCultural Revolutionen_GB
dc.subjectAccidental hiten_GB
dc.subjectpolitical utilitarianismen_GB
dc.titleUNDERSTANDING OF RUSSIAN AND SOVIET LITERATURE DURING THE “CULTURAL REVOLUTION” IN CHINAen_GB
dc.typeArticleen_GB
Располагается в коллекциях:Vol. 1. Proceedings of the 9th International Conference "Issues of Far Eastern Literatures (IFEL 2021)"

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