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dc.contributor.authorKlimovich, Victoria-
dc.date.accessioned2022-03-15T11:06:37Z-
dc.date.available2022-03-15T11:06:37Z-
dc.date.issued2021-12-
dc.identifier.otherhttps://doi.org/10.21638/11701/9785288062049.16-
dc.identifier.urihttp://hdl.handle.net/11701/35698-
dc.description.abstract混 (hùn, “primordial chaos”) is one of the most complex and multi-aspect concepts in Chinese philosophy. This category was fully developed in the Taoist texts, dating back to the 4th–3th centuries BC. Taoist philosophers interpreted the concept not just as the core of cosmogony, but also as the basis of all ethical and socio-political concepts. In Taoist texts all the meanings are distinctly positive and opposed to the concept of 乱 (luàn, “disorder”), which means destruction of the original chaotic (i. e., holistic) nature of the universe. To determine how this concept transpire in traditional Chinese culture and to what extent it is still considered to be positive, the author analyzed the usage of the word in the four great classical novels: Water Margin, Romance of the Three Kingdoms, Journey to the West and Dream of the Red Chamber.en_GB
dc.language.isoruen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesProceedings of the 9th International Conference "Issues of Far Eastern Literatures (IFEL 2021)";Volume 1-
dc.subjectprimordial chaosen_GB
dc.subjecttaoist philosophyen_GB
dc.subjectclassic Chinese novelsen_GB
dc.subjectXuanxueen_GB
dc.subjectNeo-Confucianismtaoist philosophyen_GB
dc.subjectclassic Chinese novelsen_GB
dc.subjectXuanxueen_GB
dc.subjectNeo-Confucianismen_GB
dc.titleCATEGORY OF 混 (HÙN, “PRIMORDIAL CHAOS”) IN FOUR GREAT CLASSICAL NOVELSen_GB
dc.typeArticleen_GB
Располагается в коллекциях:Vol. 1. Proceedings of the 9th International Conference "Issues of Far Eastern Literatures (IFEL 2021)"

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