Research Repository
Saint Petersburg State University

KIM SEUNG-OK’S STORY A JOURNEY TO MUJIN AND KIM SOO-YONG’S FILM ADAPTATION MIST See

THE MAN IMAGE IN OKAMOTO KANOKO’S FICTION See

THE PECULIARITY OF THE COMPOSITION AND ARTISTIC SPEECH OF PROSE OF YANG WON SIK See

VIETNAMESE WRITER BAO NINH: TALKING ABOUT TIME, WAR AND LITERATURE See

THE IMAGE OF THE IDEAL WOMAN IN TANIZAKI JUN’ICHIRŌ’S NOVEL BLUE FLOWER See

SHIBA RYOTARO AND HIS CONCEPT OF NOMADIC CIVILIZATION IN MONGOLIA See

THE RESEARCH ON THE SOURCES OF CHINESE MATERIALS IN JAPANESE THE LEGENDS OF TŌNO See

THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA See

THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE” See

“INTRODUCTORY PART” OF KOREAN LITERATURE RELATED COURSES AS A MOTIVATIONAL TOOL See

FOLK STORIES AND SONGS ABOUT THE BURYAT USURERS IN THE OLD MONGOLIAN SCRIPT ON THE EXAMPLE OF THE MANUSCRIPT OF DASHI BUBEEV See

THE CHRONOTOPE OF ROAD IN THE WORKS OF JIPPENSHA IKKU (TŌKAIDŌCHŪ HIZAKURIGE) AND OKAMOTO KANOKO (TŌKAIDŌ GOJYŪSANTSUGI) See

THE DIFFERENT INTERPRETATIONS OF GORKY’S THOUGHTS IN CHINESE LITERATURE OF THE 1930s See

THE RELATIONSHIP BETWEEN WANG MENG AND THE RUSSIAN LITERATURE — A STUDY OF WANG MENG’S ACCEPTANCE AND VARIATION OF RUSSIAN AND SOVIET LITERATURE IN THE 30 YEARS OF CHINESE CONTEMPORARY LITERATURE See