Wooden Church Architecture of the Russian North in the Russian Art History of the Early 21st Century
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City and Video Games: Moving Towards Each Other
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The Morning of a Lady of the Manor as a Programme Work of Alexey Venetsianov. On the Issue of the Academic Method in the Artist’s Theory and Practices
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Portrait in Contemporary Russian Painting in the Context of World Art: A Typology of the Genre
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The Theoretical Codex of the Mid-17th Century as a Phenomenon of Church-Singing Art
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Musical Interpretation of Direct Speech in Chants of the Two-Hundredth Feasts of the Mother of God: Greek-Slavonic Parallels on Manuscripts of the 10th–17th Centuries
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Once Again аbout Simulation of Scientific Activity in the Humanities
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The So-Called Faceted Palace (1433) and the Architecture of Novgorod from the Middle of the 15th to the First Quarter of the 16th Century
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A Comparative Study of the Talking Tree Motif in Persian Versions of Qazvini’s Wonders of Creation (Ajā’ib al-makhlūqāt wa gharā’ib almawjūdāt)
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Beyond the Threshold of the Visible: The Photographic Objects of Alexander Ugay
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The Image of the Madrasah in Illustrations of Medieval Arabic Manuscripts
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Formation and Development of the Iconography of the Mesmeric Seance in the Second Half of the 18th — Late 19th Centuries
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The Works of I. S. Turgenev in the Art of M. V. Dobuzhinsky
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Analysis of the Scroll ‘Ba Bridge in the Snow’: The Results of the Creative Journey of Shen Zhou (1427–1509)
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