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http://hdl.handle.net/11701/19333
Полная запись метаданных
Поле DC | Значение | Язык |
---|---|---|
dc.contributor.author | Tsakona, Villy | - |
dc.date.accessioned | 2020-09-09T10:54:27Z | - |
dc.date.available | 2020-09-09T10:54:27Z | - |
dc.date.issued | 2020-06 | - |
dc.identifier.citation | Tsakona, V. (2020). Tracing the trajectories of contemporary online joking. Media Linguistics, 7 (2), 169–183. | en_GB |
dc.identifier.other | https://doi.org/10.21638/spbu22.2020.202 | - |
dc.identifier.uri | http://hdl.handle.net/11701/19333 | - |
dc.description.abstract | Joke cycles nowadays emerge in social media networks and rely on intertextual links established among various texts/genres. Social media participants, in particular, are often inspired by current sociopolitical events and, as a response, create humorous texts which are disseminated online to convey their stances towards the events referred to and to amuse other members of social networks. Intertextuality plays a significant role in this process, as the humorous material created draws not only on serious texts about the events commented upon, but also on previous humorous material usually circulating online. The present case study involves the humorous texts produced after the unexpected landing of a commercial flight in Timişoara, Romania instead of Thessaloniki, Greece due to bad weather conditions. The event was mostly perceived as incongruous, and hence funny, by the Greek audience, so it quickly attracted media attention and generated both serious and humorous discussions in the Greek public sphere. The intertextual analysis of the data focuses on the humorous reactions to the event, in particular on the synergy between humor and intertextuality for creating and disseminating humor in online environments. More specifically, it demonstrates how social media participants exploit and reframe textual material coming from diverse sources to produce entertaining texts, attract the attention of the audience, and contribute to online discussions of current affairs. During this process, online joke cycles seem to be created by imitating –in a sense– and recontextualizing the production process of oral joke cycles, which were popular among speakers before the advent and spreading of social media. The intertextual chain traced through the proposed analysis shows how serious and humorous texts become part of a transformation process in online contexts and for entertaining purposes. | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | St Petersburg State University | en_GB |
dc.relation.ispartofseries | Media Linguistics;Volume 7; Issue 2 | - |
dc.subject | humor | en_GB |
dc.subject | intertextuality | en_GB |
dc.subject | digital media | en_GB |
dc.subject | intertextual chains | en_GB |
dc.subject | recontextualization | en_GB |
dc.title | Tracing the trajectories of contemporary online joking | en_GB |
dc.type | Article | en_GB |
Располагается в коллекциях: | Issue 2 |
Файлы этого ресурса:
Файл | Описание | Размер | Формат | |
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169-183.pdf | 2,69 MB | Adobe PDF | Просмотреть/Открыть |
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