The Genesis of Sculpture Parks in the Evolution of Landscape and Monumental-Decorative Arts Synthesis
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From Ledoux to Le Corbusier… and Back. To the Historiography of Revolutionary Architecture
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The Carved Triptych of Tsar Fyodor Alexeyevich of the Year 1680 from the State Russian Museum
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The Monument to Millennium of Russia: Bringing the Idea to Life. From History of Reigns to History of Culture
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Lucho Fontana’s ‘Specialist Manifesto’ and Salvatore Sciarrino’s Concept of Sound Space
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‘Self-Expanding Information’ as an Intrinsic Property of Musical and Artistic Work
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N. A. Rimsky-Korsakov’s “Kashchey the Immortal”: From the Text of the Fairy Tale to the Text of the Opera
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Development Stages of Graphic Design in the Arab World
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Paul Delaroche: The Reception of his Work in Russia
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‘Archetypal Forms’ in Modern Sculpture. The Image of Reclining Figure: From Maillol to Moore, and so On
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Typology of Minimalism in the 1950–1960s. The Conceptual, Technological, and Material
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Doctor Stockmann by Stanislavsky in the Light of Criticism and History
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The Saint Petersburg Theatre of Generations’ Documentary Performance About the Blockade ‘67/871’ Based on the Play by E. Gremin. Experience of the Artistic Interpretation of Documentary Material
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Aesthetics of the Stage Ritual in Postdramatic Theatrical Discourse
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Reception of the Notre Dame School’s Conductus in the early French Ars Nova: For the 700th Anniversary of the Manuscript F‑Pn fr. 146
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