The image of the "lost generation" in the German culture of the 20th century
Loading...
Date
Journal Title
Journal ISSN
Volume Title
Publisher
Abstract
В данном исследовании проанализирован такой феномен в немецкой культуре ХХ века как образ "потерянного поколения" в антивоенном искусстве. Общественно - политический дискурс Германии 1920-х годов во многом был сформирован рефлексией на тему итогов Первой мировой войны, немецкое искусство сделало поворот к теме судьбы человека на войне. Этот аспект делает исследование сюжетов, связанных с "потерянным поколением" крайне важным для понимания культуры Германии этой эпохи.
Целью данной работы является исследование пацифистских тенденций в немецкой литературе, живописи и кинематографе в контексте коллективного переживания нацией травматического опыта Первой мировой войны.
Результатом данной работы является анализ образа "потерянного поколения" в натуралистической немецкой антивоенной прозе и живописи, а также в традиции деформированной оптики немецкого экспрессионизма.
This study analyzes the phenomenon of the "lost generation" in the anti-war art in the German culture of the twentieth century. Socio - political discourse in Germany of the 1920s was mostly formed by reflection on the results of the First World War, German art has made a turn to the subject of human fate in the war. This aspect makes the study of subjects related to the "lost generation" extremely important for understanding the German culture of that era. The aim of this work is studying the pacifist trends in German literature, painting and cinema in the context of the collective national comprehension of the traumatic experience of the First World War. The result of this work is analysis of the image of the "lost generation" in German anti-war naturalistic prose and painting, as well as in the tradition of the deformed perspective of German expressionism.
This study analyzes the phenomenon of the "lost generation" in the anti-war art in the German culture of the twentieth century. Socio - political discourse in Germany of the 1920s was mostly formed by reflection on the results of the First World War, German art has made a turn to the subject of human fate in the war. This aspect makes the study of subjects related to the "lost generation" extremely important for understanding the German culture of that era. The aim of this work is studying the pacifist trends in German literature, painting and cinema in the context of the collective national comprehension of the traumatic experience of the First World War. The result of this work is analysis of the image of the "lost generation" in German anti-war naturalistic prose and painting, as well as in the tradition of the deformed perspective of German expressionism.