Futurism Painting and Russian Poetry of the 20th Century
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Abstract
Настоящая работа посвящена проблеме интермедиальности в искусстве, в частности, взаимодействию русской поэзии XX века и живописи футуризма. На примерах поэтических произведений и их аналогов в живописи проанализированы механизмы перевода произведения с языка одного искусства на язык другого. Мы приходим к выводу, что, в основном, поэты заимствуют у художников именно техники, желая сформировать новый, наполненный дополнительным смыслом поэтический язык.
The work deals with the problem of intermediality in the arts, in particular, the interaction of Russian poetry of the XX century and futurism painting. With examples of poetic works and their analogs in painting the mechanisms of translation of the artwork from the language of one art to the language of another are analyzed. We come to the conclusion that, in general, poets borrow painting techniques, wishing to form a new, filled with additional meaning poetic language.
The work deals with the problem of intermediality in the arts, in particular, the interaction of Russian poetry of the XX century and futurism painting. With examples of poetic works and their analogs in painting the mechanisms of translation of the artwork from the language of one art to the language of another are analyzed. We come to the conclusion that, in general, poets borrow painting techniques, wishing to form a new, filled with additional meaning poetic language.