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dc.contributor.authorKANOOR, ABBED-
dc.date.accessioned2023-08-10T21:34:15Z-
dc.date.available2023-08-10T21:34:15Z-
dc.date.issued2023-03-
dc.identifier.citationKANOOR A. FROM STRUCTURE TO STYLE. MERLEAU-PONTY. Horizon. Studies in Phenomenology, 2023, vol. 12 issue 1, pp. 9–29.en_GB
dc.identifier.otherhttps://doi.org/10.21638/2226-5260-2023-12-1-9-29-
dc.identifier.urihttp://hdl.handle.net/11701/43736-
dc.description.abstractIn this article I try to show that there is an evolution in Merleau-Ponty’s understanding of the concept structure. Structure is neither an entity nor an a priori principle, but the expression of certain configurations of sense and meaning. There is a transition from a static to a dynamic approach, paralleling a movement from a philosophy of structure to a philosophy of individuation. There exists for each individual a general structure of behavior as a unity expressed in certain constants of its conduct. The structure is a momentary manifestation of the general orientation of the passive-affective life in its bodily expressions. Structuration is the act of creating order in the perception of the surrounding situation and the process of taking a position in it. By doing so Merleau-Ponty replaces the Gestalt psychology with a philosophy of the living being. This essential philosophical intuition culminates in the concept of style, which becomes an important element in Merleau-Ponty’s later phenomenological aesthetics and phenomenology of world appearance.en_GB
dc.language.isoenen_GB
dc.publisherSt Petersburg State Universityen_GB
dc.relation.ispartofseriesHorizon. Studies in Phenomenology;Volume 12; Issue 1-
dc.subjectMaurice Merleau-Pontyen_GB
dc.subjectphenomenologyen_GB
dc.subjectstructureen_GB
dc.subjectstyleen_GB
dc.subjectformen_GB
dc.subjectbiologyen_GB
dc.subjectbehavioren_GB
dc.subjectGestalten_GB
dc.subjectaestheticsen_GB
dc.titleFROM STRUCTURE TO STYLE. MERLEAU-PONTYen_GB
dc.typeArticleen_GB
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